Archive for the ‘Information’ Category

First baseman Prince Fielder apparently has signed a nine-year contract with the Detroit Tigers worth a reported $214 million.

Detroit isn’t exactly a huge market, especially with the way the economy has gone downhill in that neck of the woods. But the Tigers somehow have the cash to maintain the team as a viable playoff contender.

Pittsburgh isn’t exactly a huge market, either, as we’re constantly reminded. So there was no way the Pirates were in the running for Fielder, or apparently anyone who wanted more than $5 million to play in 2012.

Speaking of which, here’s what sundry Pirates are scheduled to earn this season, according to www.piratesprospects.com:

  • Clint Barmes – $5,000,000
  • Erik Bedard – $4,500,000
  • Joel Hanrahan – $4,100,000
  • Kevin Correia – $4,000,000
  • Rod Barajas – $4,000,000
  • Jeff Karstens – $3,100,000
  • Casey McGehee – $2,350,000
  • Charlie Morton – $2,445,000
  • Garrett Jones – $2,250,000
  • Nate McLouth – $1,750,000
  • Jason Grilli – $1,100,000
  • Evan Meek – $875,000
  • Chris Resop – $850,000
  • Jose Tabata – $750,000
  • Pedro Alvarez – $700,000
  • Andrew McCutchen – $480,000
  • James McDonald – $480,000
  • Neil Walker – $480,000

OK, let’s stop there. Look at the three guys making $480,000 apiece. All of them are arbitration-eligible after the 2012 season. And if McCutchen and Walker play anything like their capabilities suggest, they’ll want a heck of a lot more cash. Not Prince Fielder-type money, but something to catapult them into Barajas-Correia territory.

Will the Pirates pay up?

Hey, if Clint Barmes makes more than anyone else on the team, anything’s possible.

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As a follow-up to a post from last week, here are some videos about the Jazz & Blues Entrepreneurial Thursdays networking group founded and perpetuated by musician-entrepreneur Jessica Lee.

First, a 5-minute video about the networking group:

http://youtu.be/zAtPjE3V8B8

Second, a performance of “Why Don’t You Do Right”:

http://youtu.be/hzZbwm0FU7Q

And third, another performance, of “A Nightingale Sang in Berkeley Square”

http://youtu.be/Qurbo2lx3B0

I had to play a bit with the audio portion of “Do Right,” so ignore any clicks, pops or changes in dynamics. “Nightingale” is fairly pristine.

Again, if you live in the Pittsburgh area, love music and enjoy networking, you might want to give the group a try.

Washington (D.C.) Examiner staff writer Liz Essley wrote an article that caught my eye:

“Virginia may allow corporations to name roads, bridges for cash”

My question: Why haven’t they brought that idea to the table in Pennsylvania? Or if they have, why isn’t it bringing in money at this very moment?

Sure, a lot of Pennsylvania roads, bridges and interchanges are named for war heroes, politicians and other historical figures. For example, in Washington County (where I work) are the Barry Stout Expressway, also known as Route 43 of the Pennsylvania Turnpike system, for the state senator who helped get it built; the Farrell Jackson interchange off Interstate 79, for a former county coroner; and another interchange named for Walter Joseph Marm Jr. (pictured), a Medal of Honor recipient from the city of Washington.

We certainly wouldn’t want to change that last one.

But there are plenty of other stretches of asphalt that could lend themselves to naming rights. And there probably are plenty of corporations that would jump at the opportunity, given their proclivity to pay for their names on sporting venues and the like.

I can’t wait to drive on PNC Place or Consol Energy Boulevard. Better their contributions to the state coffers than mine.

One of my favorite online resources is AllMusic.

The database, if it doesn’t literally contain all music, comes pretty darned close. It certainly is a great resource for learning about worthwhile listens.

The guide rates recordings, from 1 to 5 stars. Following is a list of the 5-star albums in my collection. Well, most of them. I didn’t delve into “various artists” collections, and there may be some single-artists compilations that I missed. But this might give you an idea of what to check out on Spotify, or if you want to actually spend money and support the various artists.

  • AC/DC: “Dirty Deeds Done Dirt Cheap”
  • Allman Brothers Band: “Idlewild South,” “At Fillmore East,” “Eat a Peach”
  • Gene Ammons: “The Happy Blues”
  • Louis Armstong: “Louis Armstrong Plays W.C. Handy”
  • Albert Ayler: “Live in Greenwich Village: The Complete Impulse Sessions”
  • The Band: “Music from Big Pink,” “The Band”
  • The Beatles: “Please Please Me,” “With the Beatles,” “A Hard Day’s Night,” “Beatles for Sale,” “Help!,” “Rubber Soul,” “Revolver,” “Sgt. Pepper’s Lonely Hearts Club Band,” “Magical Mystery Tour,” “The Beatles,” “Abbey Road”
  • Jeff Beck: “Truth”
  • Chuck Berry: “St. Louis to Liverpool”
  • Big Brother & the Holding Company: “Cheap Thrills”
  • Big Star: “#1 Record,” “Third/Sister Lovers”
  • Black Sabbath: “Paranoid,” “Master of Reality,” “Volume 4”
  • Blur: “Parklife”
  • David Bowie: “The Rise and Fall of Ziggy Stardust and the Spiders from Mars,” “Low,” “Heroes”
  • Brinsley Schwarz: “Nervous On the Road”
  • Dave Brubeck Quartet: “Time Out”
  • Jeff Buckley: “Grace”
  • Butterfield Blues Band: “Paul Butterfield Blues Band,” “East-West”
  • The Byrds: “Sweetheart of the Rodeo”
  • Can: “Tago Mago”
  • Captain Beefheart & His Magic Band: “Safe As Milk,” “Trout Mask Replica”
  • Johnny Cash: “Johnny Cash at Folsom Prison”
  • Ray Charles: “Modern Sounds in Country and Western Music”
  • Charlie Christian: “The Genius of the Electric Guitar”
  • Eric Clapton: “Crossroads”
  • Sonny Clark: “Cool Struttin'”
  • The Clash: “The Clash,” “London Calling”
  • John Coltrane: “Blue Train,” “Bags & Trane,” “My Favorite Things,” “Duke Ellington and John Coltrane,” “John Coltrane and Johnny Hartman,” “A Love Supreme”
  • Chick Corea: “Return to Forever”
  • Elvis Costello: “My Aim Is True,” “This Year’s Model,” “Get Happy!!”
  • Creedence Clearwater Revival: “Green River,” “Willy & the Poor Boys,” “Cosmos Factory”
  • Crosby, Stills & Nash: “Crosby, Stills & Nash”
  • Crosby, Stills, Nash & Young: “Deja Vu”
  • Miles Davis: “Birth of the Cool,” “‘Round About Midnight,” “Relaxin’,” “Porgy and Bess,” “Kind of Blue,” “Sketches of Spain,” “Workin’,” “Steamin’,” “Miles Smiles,” “In a Silent Way,” “Bitches Brew,” “A Tribute to Jack Johnson,” “On the Corner”
  • Deep Purple: “Machine Head”
  • Derek & the Dominos: “Layla and Other Assorted Love Songs”
  • Dillard & Clark: “The Fantastic Expedition of Dillard & Clark”
  • Willie Dixon: “The Chess Box”
  • Eric Dolphy: “Out There,” “Out to Lunch”
  • The Doors: “The Doors”
  • Bob Dylan: “Highway 61 Revisited,” “Blonde On Blonde,” “Blood On the Tracks”
  • Bob Dylan & the Band: “The Basement Tapes”
  • Duke Ellington: “Ellington at Newport,” “… and His Mother Called Him Bill”
  • Brian Eno: “Taking Tiger Mountain (By Strategy),” “Another Green World”
  • Faces: “Five Guys Walk into a Bar …”
  • The Firesign Theatre: “How Can You Be in Two Places at Once When You’re Not Anywhere at All,” “Don’t Crush That Dwarf, Hand Me the Pliers”
  • The Flaming Lips: “The Soft Bulletin”
  • The Flying Burrito Brothers: “The Gilded Palace of Sin”
  • Funkdadelic: “Maggot Brain”
  • Gang of Four: “Entertainment!”
  • Erroll Garner: “Concert By the Sea”
  • Marvin Gaye: “What’s Going On”
  • Genesis: “Foxtrot”
  • Grateful Dead: “Workingman’s Dead,” “American Beauty,” “Dick’s Picks, Vol. 4”
  • Green Day: “American Idiot”
  • Herbie Hancock: “Maiden Voyage,” “Head Hunters”
  • George Harrison: “All Things Must Pass”
  • Jimi Hendrix Experience: “Are You Experienced?,” “Axis: Bold As Love,” “Electric Ladyland”
  • Howlin’ Wolf: “Howlin’ Wolf/Moanin’ in the Moonlight,” “The Chess Box”
  • Husker Du: “Zen Arcade”
  • Incredible String Band: “The Hangman’s Beautiful Daughter”
  • Etta James: “At Last!”
  • Keith Jarrett: “The Koln Concert”
  • Jefferson Airplane: “Surrealistic Pillow”
  • Lonnie Johnson: “Steppin’ on the Blues”
  • Robert Johnson: “The Complete Recordings”
  • Janis Joplin: “Pearl”
  • King Crimson: “In the Court of the Crimson King”
  • Albert King: “Born Under a Bad Sign”
  • The Kinks: “Face to Face,” “Something Else by the Kinks,” “The Village Green Preservation Society”
  • Kraftwerk: “Autobahn,” “Trans-Europe Express”
  • Led Zeppelin: “Led Zeppelin,” “Led Zeppelin II,” “Led Zeppelin III,” “Physical Graffiti”
  • John Lennon: “John Lennon/Plastic Ono Band,” “Imagine”
  • Little Feat: “Little Feat”
  • Love: “Da Capo,” “Forever Changes”
  • Nick Lowe: “Jesus of Cool”
  • Magic Sam: “West Side Soul”
  • Mahavishnu Orchestra: “The Inner Mounting Flame,” “Birds of Fire”
  • Bob Marley & the Wailers: “Catch a Fire”
  • John Mayall: “Blues Breakers With Eric Clapton”
  • The MC5: “Kick Out the Jams”
  • Metallica: “Master of Puppets”
  • Pat Metheny Group: “Pat Methenhy Group”
  • Charles Mingues: “Mingus Ah Um,” “Mingus Mingus Mingus Mingus Mingus”
  • The Minutemen: “Double Nickels on the Dime”
  • Moby Grape: “Moby Grape”
  • Modern Jazz Quartet: “The Complete Last Concert”
  • Wes Montgomery: “Full House”
  • Van Morrison: “Astral Weeks,” “Moondance”
  • Mothers of Invention: “Freak Out!,” “We’re Only In It for the Money”
  • Mott the Hoople: “All the Young Dudes,” “Mott”
  • The Move: “Shazam”
  • My Bloody Valentine: “Loveless”
  • Randy Newman: “12 Songs,” “Sail Away”
  • Parliament: “Mothership Connection”
  • Gram Parsons: “G.P.”
  • Joe Pass: “Virtuoso”
  • Jaco Pastorius: “Jaco Pastorius”
  • Pavement: “Slanted & Enchanted,” “Crooked Rain, Crooked Rain”
  • Pearl Jam: “Ten”
  • Pere Ubu: “Terminal Tower”
  • Pink Floyd: “The Piper at the Gates of Dawn,” “The Dark Side of the Moon,” “Wish You Were Here”
  • Iggy Pop: “The Idiot,” “Lust for Life”
  • The Quintet: “Jazz at Massey Hall”
  • The Replacements: “Let It Be”
  • The Rolling Stones: “Between the Buttons,” “Beggars Banquet,” “Let It Bleed, “Sticky Fingers,” “Exile on Main St.,” “Some Girls,” “Singles Collection: The London Years,” “Forty Licks”
  • Sonny Rollins: “Sonny Rollins Plus 4,” “Saxophone Colossus,” “Way Out West”
  • Todd Rundgren: “Something/Anything?”
  • Pharoah Sanders: “Karma”
  • Santana: “Abraxas”
  • Klaus Schulze: “Moondawn”
  • Gil Scott-Heron: “Small Talk at 125th and Lenox”
  • The Sex Pistols: “Never Mind the Bollocks”
  • Sonny Sharrock: “Ask the Ages”
  • Wayne Shorter: “Speak No Evil”
  • Horace Silver: “Song for My Father”
  • Paul Simon: “Paul Simon,” “There Goes Rhymin’ Simon”
  • Skin Alley: “To Pagham & Beyond”
  • Sly & the Family Stone: “Stand!,” “There’s a Riot Goin’ On”
  • Small Faces: “The Darlings of Wapping Wharf Launderette”
  • Patti Smith: “Horses”
  • The Soft Boys: “Underwater Moonlight”
  • Sonic Youth: “Sister,” “Daydream Nation”
  • The Stooges: “Fun House,” “Raw Power”
  • Sun Ra: “Atlantis,” “Space Is the Place”
  • Talking Heads: “Talking Heads 77,” “More Songs About Buildings and Food,” “Remain In Light”
  • Hound Dog Taylor: “Hound Dog Taylor & the Houserockers”
  • Television: “Marquee Moon”
  • Thin Lizzy: “Jailbreak”
  • Richard & Linda Thompson: “Shoot Out the Lights”
  • Stevie Ray Vaughan and Double Trouble: “Texas Flood”
  • Velvet Underground: “The Velvet Underground & Nico,” “White Light/White Heat,” “The Velvet Underground,” “Loaded”
  • The Wailers: “Burnin'”
  • T-Bone Walker: “The Complete Imperial Recordings: 1950-1954”
  • Muddy Waters: “At Newport,” “The Chess Box”
  • Weather Report: “Heavy Weather”
  • The White Stripes: “Elephant”
  • The Who: “The Who Sings My Generation,” “The Who Sell Out,” “Live at Leeds,” “Who’s Next”
  • Tony Williams’ Lifetime: “Emergency!”
  • Wire: “Pink Flag,” “Chairs Missing”
  • Stevie Wonder: “Talking Book,” “Innervisions,” “Songs in the Key of Life”
  • Link Wray: “Rumble!”
  • X: “Los Angeles,” “Under the Big Black Sun”
  • Yes: “Fragile,” “Close to the Edge”
  • Neil Young: “On the Beach,” “Rust Never Sleeps”

By the way, I’ve been working on this list for a couple of weeks during some “down time.” And it’s been a lot of fun! Gotta listen to some of these albums again in the near future.

I had the pleasure of attending a Jazz Networking event at Little E.’s on Liberty Avenue in Pittsburgh.

The weekly sessions, starting each Thursday at 5:30 p.m., are led by Jessica Lee, a tremendous vocalist who also is a tremendous entrepreneur. She took the idea of mixing good music with good people, and ran with it!

I’m working on a mini-documentary video about Jazz Networking, and I’ll also process some musical clips from Jessica and the guys who backed her last night:

Mark Strickland, guitar, and David Pellow, bass

Jay Willis, tenor saxophone

Shout out to Martin the Troubadour, who let me borrow his guitar:

And a special thanks to Mel the bartender, who knows a lot about craft beer: